You Fascinate Me So charts the life and career of On the Twentieth Century composer Cy Coleman.
With the arrival of You Fascinate Me So: The Life and Times of Cy Coleman in stores and at online retailers such as Amazon.com, a three-time Tony Award–winning composer finally gets his due. For years, I had always been surprised that no one had ever made the effort to explore Coleman’s life and career. After all, this was a man who penned the Frank Sinatra hit “Witchcraft” and Tony Bennett’s “The Best Is Yet to Come” before writing such Broadway classics as Little Me, Sweet Charity, and Barnum. So in late 2012, I decided to do something about this oversight and wrote to his widow, Shelby Coleman, asking if she would let me tackle the job. To my delight, she said yes, and in doing so, she started me on a two-year odyssey through 74 years of a man’s life and four decades of theater history.
The journey from the idea of a biography to the final manuscript was filled with some terrific surprises and intriguing twists, and I hope that the sense of discovery I experienced about the man I’ve come to refer to as “Cy” (even though we never met) comes through in the biography itself.
The first real discoveries I made about Cy concerned the early part of his career. I’d known that he had been a fixture in some of New York’s swanky clubs before he’d started life as a songwriter, but what I hadn’t realized was that he started at a young age. He was just barely 20 years old when he first made a name for himself in New York nightspots. Beyond this, he wasn’t only performing well into the wee hours of the morning; he was also making regular television appearances as the then-new medium was attempting to figure out what should be broadcast during the day.
Even more impressive, he wrote his first musical by the time he was 20! It was, by all accounts, a featherweight comedy that had its premiere at the Bellport Summer Playhouse in August 1949.
As I became aware of the breadth of Cy’s early career, I began to wonder if I might find anyone to talk to about this period of his life. Luckily I came across a number of people who had worked with him as he was just starting out, including jazz guitarist Mundell Lowe, who was at Cy’s side on television on the daytime show Date in Manhattan (it was broadcast daily live from Tavern on the Green) and in the one short film that he made for RKO (a portion of it can be found on YouTube). Additionally, I managed to arrange interviews with Ray Mosca, who joined Cy’s trio in the mid-1950s and, like Lowe, is still a practicing musician, and Ruth Allen, who was in the young people’s ensemble of that first musical. Perhaps most amazing was finding Cy’s first agent, a gentleman well into his nineties by the name of Leonard Green.
Through my conversations with these people, I began to amass terrific stories about Cy just as he was starting out, and I also got a sense of the milieu in which he was working. Lowe (and another jazz musician, Bill Crow) also provided some great stories about Joseph A. McCarthy Jr., Cy’s first songwriting partner. Lowe even gave me a story about the genesis of Cy’s first big hit with McCarthy, “Why Try to Change Me Now?” (which is getting new life on Bob Dylan’s just-released album Shadows in the Night, featuring songs made famous by Sinatra).
As I moved from this period of Cy’s life to his Broadway work (which began in late 1960 when his first musical, Wildcat, starring Lucille Ball, premiered), I also took my first trip out to Los Angeles to visit the offices of the publishing company he founded: Notable Music. Before arriving, I’d written Shelby and Damon Booth, the company’s vice president, about all sorts of materials I’d be looking for. I was hoping not only to sort through any drafts of songs and scripts that might exist for the musicals we all know and love, but also cull materials relating to the nearly two dozen shows that he had begun but had not reached the stage.
I was stunned when I walked through the doors at Notable. Damon had, it seemed, essentially emptied a storage unit; piled high on the grand piano that Cy had bought when he was a teenager were neatly sorted piles for the various musicals I had written to them about. Then there were boxes — lots of boxes — that basically filled two rooms. I dove in and after five days of nonstop scanning and copying, I had a wealth of background to take back to New York with me.
Once I started sorting through everything, I was astonished by what they shared with me: everything from draft fragments for approximately two dozen songs for Little Me to lead sheets for songs that had been intended for Sweet Charity to the very first draft of The Will Rogers Follies. Damon had also made a stack of CDs for me, filled with demo recordings of songs that Cy had made of his tunes (some of which will be released on a CD from Harbinger Records that will come out in tandem with the book). All of this would become crucial once actual writing commenced, creating a trail that allowed me to reconstruct how Cy’s shows evolved from concept to opening night.
Soon it was time to start conducting interviews with Cy’s collaborators and the artists who appeared in or worked on his shows, and, well, that process was just overwhelming, even for someone like me who has been in the industry for nearly two decades and is used to being around celebrities. It’s rough to describe the mixture of honor and genuine delight that I felt while spending an hour with Tommy Tune talking about his memories of Cy during both Seesaw and The Will Rogers Follies. Going to Hal Prince’s office to ask him about On the Twentieth Century? Another “wow” moment. And when I visited Marilyn and Alan Bergman to talk about one of the last musicals Cy was working on, Like Jazz, their graciousness was simply incredible.
The result of the research and interviews, I hope, is a book that will bring Cy to life both for his fans and for those who only know his music in passing (songs like “Hey, Look Me Over,” “Real Live Girl,” “Big Spender,” and “The Colors of My Life,” to name just a few of the Broadway standards). I also hope that it will help further fuel what seems to have become a year for a marvelous Cy Coleman renaissance. Not only do we have Roundabout Theatre Company’s revival of On the Twentieth Century, written with Betty Comden and Adolph Green, we have a concert of his songs coming up, performed by three of the women who were leading ladies in his shows — Randy Graff, Cady Hoffman, and Lillias White — in May at 54 Below, and just a month later, Michele Lee (who starred in Coleman’s Seesaw back in the early 1970s and who may be best known for her work on television’s Knots Landing) will be offering a concert of his music there. Also, a revival of another of his musicals, City of Angels (penned with lyricist David Zippel and book writer Larry Gelbart), just concluded an acclaimed run in London, and you can find a revival of Sweet Charity running now through October at the renowned Stratford Festival in Ontario.
You Fascinate Me So: The Life and Times of Cy Coleman (from Applause Theatre & Cinema Books) is available for online purchase at Amazon.com and in bookstores nationwide. Further information is available at youfascinatemeso.com.
Last updated and effective as of January 14, 2019
Introduction and Your Acceptance of These Terms
Information We Collect
Information we collect directly from you: Your provision of your personal information to Us is completely voluntary; it is not a statutory or contractual requirement. Personally Identifiable Information (“PII”) is information that is uniquely identifiable to you, such as your name, address, email address, phone number, credit card number and other personal information that is not otherwise publicly available. Certain features of Our website may require that you provide Us with your personal information, including:
Mobile Alert Sign-Up (SMS)
Contact Us (email)
Public forums (e.g. message boards)
E-commerce (ticket purchases)
Your use of any of the features above;
New content on Our website;
News that We think may interest you about Us;
Responses to your questions/comments to us; and
Information relating to a ticket purchase.
We may use your demographic information for in house statistics, advertising and marketing target information. Our processing of your personal information is necessary for the performance and fulfillment of the contract between us and to provide you with Our services. We will also process, transfer, disclose and preserve personal information when We have a good faith belief that doing so is necessary, to resolve disputes, enforce our agreements and otherwise required by law. You can always opt-out of receiving future promotional communications from Us; see the Choice/Opt-out section below.Information We Collect Automatically: Even if you don’t use any of the features above, when you visit Our website, We may collect certain information about you.
From your Browser. For example, Our servers keep an activity log that tracks all visitors to the website. The information in the activity log does not identify you individually. The information collected may include among other data: your IP address, your registered domain or home server, time of access, date of access, web page(s) visited, number of clicks, software crash reports, type of browser used, session identification number, search terms, search results, access times and referring website’s address. We use your IP address to help diagnose problems with Our server and to administer Our website. Your IP address is also used to gather broad demographic information, such as country of origin and geographic location. We use such data in the aggregate to run internal analyses to improve upon your experience on Our website.
Tracking Tags (also known as “web beacons,” “action tags” or “single-pixel gifs”). Our website may also use tracking tags. Tracking tags are invisible graphics embedded in the pages of Our website that are programmed to collect non-personal information about your use of Our website. Like cookies, tracking tags provide overall usage patterns for Our website that We use for analysis and to provide personalized services and advertising content.
We comply with the Self-Regulatory Principles for Online Behavioral Advertising set forth by the Digital Advertising Alliance (DAA). You can opt-out of targeted advertising from certain providers at www.aboutads.info/consumers.
How We Use Your Personal Information
The personal information We collect allows Us to keep you posted on updates to Broadway Direct. It also helps Us to improve Our services, content, and advertising. If you don’t want to be on Our email list, you can opt out anytime by clicking the “unsubscribe” button or sending an unsubscribe email to [email protected]. From time to time, We may use your personal information to send transactional emails, such as communications about purchases and changes to Our terms, conditions, and policies. Because this information is important to your interaction with Broadway Direct, you may not opt out of receiving these communications. We may also use personal information for internal purposes such as auditing, data analysis, and research to improve Broadway Direct’s services, and customer communications. If you enter into a sweepstakes, contest, or similar promotion We may use the information you provide to administer those programs.
Information Collected By/Shared With Third Parties
Third Parties Doing Work for Us. Third parties have no rights to use any data We have collected on your behalf. However, We may employ other companies or individuals to perform functions on Our behalf, such as sending postal mail, email, and text messages, conducting sweepstakes/contests, prize fulfillment and promotional activities, analyzing data, providing marketing assistance, processing credit card payments and providing customer service. These outside suppliers, agents and vendors have access to your personal information only as needed to perform their functions.
Third Parties with Links from Our Website. From our website, you may be able to click on links to third party sites to buy tickets and merchandise and for other purposes. These third party sites may collect information, including personal information. We are not responsible for, nor do we have access to the information they collect. The collection of this information is governed by the privacy policies on the applicable third party sites.
Social Networking Services. Our website may integrate with social networking services. We do not control such services and are not liable for the manner in which they operate. While we may provide you with the ability to use such services in connection with our website, we are doing so merely as an accommodation and, like you, are relying upon those third party services to operate properly and fairly.
When necessary. We may also release personal information when we believe, in good faith, that such release is reasonably necessary to protect the rights, property or safety of Ourselves, Our clients, Our users, or others. We may disclose personal information about you to law enforcement, other government officials, or other third parties, as We, in our sole discretion, believe necessary or appropriate, in connection with an investigation of fraud, intellectual property infringement, or other activity that is illegal or may expose Us to legal liability.
Transactions With Third Party E-commerce Partners, Vendors and Advertisers
Delivery of Advertising and Other Content
In addition to ads and content that We may serve you directly, We use third-party advertising companies and marketing services companies to serve ads and other content when you visit Broadway Direct and elsewhere on the internet and in other media. Both We and these companies may use information about your visits to Broadway Direct and elsewhere to serve ads and other content to you. In the course of doing so, a unique third-party cookie may be placed or recognized on your browser by such companies. In addition, We and these companies may use Web beacons to help manage Our online advertising and content. These Web beacons enable Us and the third-party companies to recognize a browser’s cookie when a browser visits this Site and to learn which banner ads bring users to our website and to serve you ads that you may find of interest elsewhere on the internet and in other media. Both Broadway Direct and these companies may use information obtained from your visits to Broadway Direct or other websites, and information received from you offline in order to provide advertisements about goods and services and other content of interest to you across the internet and in other media. If you would like more information about this practice and to know your choices about not having this information used in this manner by Our third party advertising companies, please visit http://www.networkadvertising.org/optout_nonppii.asp and/or www.aboutads.info/choices. European users may opt out of receiving targeted advertising by visiting http://www.youronlinechoices.eu/. In addition, we may provide PII and Anonymous Information to marketing services companies. This may include information we received from you offline or online. These companies may combine information we provide (including PII and Anonymous Information) with personal and anonymous information they may have about you, using cookies they place or that We place on their behalf, as described in the section regarding “Cookies and Tracking Tags”. We require these companies to delete the PII we provide them. These companies may use the resulting non-personal information and such cookies for their own marketing purposes, and they may provide the same to their customers for their customer’s marketing purposes. Some of Our emails may contain tags that allow Us and Our advertisers and other partners to determine the types of content that may be of interest to you. Those tags may contain PII and may be shared with others to the same extent indicated in the section regarding “Cookies and Tracking Tags”. Those tags may not be deleted but you can opt out of receiving the emails.
Use of This Site by Children
The Site is not directed to individuals under the age of thirteen (13), and We request that such individuals do not provide personal information through the Site. If a parent or guardian becomes aware that his or her child has provided Us with PII without the parent or guardian’s consent by, for example, misrepresenting his or her age, that parent or guardian should contact us at [email protected]. If Broadway Direct determines that it has collected personal information of children under the age of 13, Broadway Direct will immediately delete such information and any accounts believed to be held by children under 13. In addition, we may not collect or process information from a citizen of an EU member state under the age of sixteen (16) without such person’s parental consent. If you are a citizen of an EU member state under the age of 16, please tell your parents that you are using the Site and have your parents email Us at [email protected] so that We may delete any information We may have collected about you.
California Civil Code § 1798.83 permits California residents to request information about whether we have disclosed personal information to any third parties for the third parties’ direct marketing purposes. California residents have the right to request in writing: (a) a list of the categories of Personal Information, such as name, email address and mailing address and the type of services provided to the customer that a business has disclosed to third parties (including affiliates that are separate legal entities) during the immediately preceding calendar year for the third parties’ direct marketing purposes and (b) the names and addresses of all such third parties. To make a request, please contact Us at the following email address: [email protected].
Rights of EU Data Subjects
If you are a resident of the European Union, under the GDPR, European Union residents, as data subjects, have the following rights:
Right to access – This right allows individuals to obtain confirmation as to whether or not personal information concerning him or her is being processed and provide access to such personal information. It also allows individuals to request details of the processing of his or her personal information, including, without limitation, categories of recipients to whom the personal information have been or will be disclosed and purposes of processing.
Right to rectify – This right allows individuals to rectify any inaccurate personal information about him or her.
Right to restrict processing – This right allows individuals to block or suppress processing of personal data under certain circumstances.
Right to be forgotten – This right is also known as the “right to erasure”. It is an individual’s right to have personal data erased or to prevent processing in specific circumstances.
Right of data portability – This right allows individuals to move, copy or transfer personal data from one place to another in a secure manner without interrupting the integrity and usability of the information.
Right to object to processing – This right allows individuals to object to certain types of processing, including direct marketing, profiling and providing for purposes of scientific or historical research and statistics.
An EU resident has the right to access his or her personal data that We hold and to ask that their personal data be corrected or erased and to port their data. An EU resident may also have the right to object to, or request that We restrict certain processing or to withdraw consent previously provided. If you would like to exercise your rights under the GDPR, please contact us at [email protected]. If you are an EU resident and have a concern about our processing of your personal data that we are not able to resolve, you have the right to lodge a complaint with the Data Protection Authority where you reside. For contact details of your relevant local Data Protection Authority, please see http://ec.europa.eu/newsroom/article29/item-detail.cfm?item_id=612080
Security of Your Personal Information
Broadway Direct employs reasonable security measures consistent with standard industry practice, for personal information collected through this Site, including physical, electronic and operational measures to maintain security and prevent unauthorized access. While Broadway Direct takes all appropriate steps to safeguard personal information under Our control, unfortunately, no data transmission over the Internet or method of storing data can be guaranteed to be 100% secure. As such, We cannot guarantee that personal information supplied by users will not be accessed on Our servers, or intercepted while being transmitted to Us over the Internet. We assume no liability for any damages you may suffer as a result of interception, alteration or misuse of information during such transfers.
We will retain your information for as long as your account or inquiry is active and for a reasonable time thereafter in accordance with Our standard procedures or as necessary to comply with Our legal obligations, to resolve disputes, and to enforce Our agreements. Even if We delete some or all of your Personal Information, We may continue to retain and use aggregate or anonymous data previously collected and/or anonymize or aggregate your Personal Information. Please note that We will not be liable for disclosures of your data due to errors or unauthorized acts of third parties.
This Site provides users the opportunity to opt-out of receiving communications from Us, at any time, by email at [email protected], or by clicking the unsubscribe link in any email communication. The Site gives users the following options for removing their information from our database, to not receive future communications or to no longer receive our service, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715.
Users can opt-out of receiving future newsletter emails from Us by selecting the “unsubscribe” link at the bottom of our email. However, We are not responsible for removing your information from the lists of any third party who has previously been provided with your information or is collecting your information through their cookies. You have the right to withdraw your consent for Our processing for your personal information by contacting us at [email protected].
This website gives users the following options for changing and modifying information previously provided, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715
In the event that We are, or any component of our operations is, merged with, or is acquired by, another entity, then any such successor or acquiring entity may become the successor to Our obligations with respect to the personal information that you have provided to Us, which would be necessary for the entity to effectively continue our business. By using this website, you consent to any transfer and use of such personal information by an entity assuming control of Our operations as a result of a merger, purchase of assets, or liquidation in bankruptcy or insolvency.