Purchase tickets to Once Upon a One More Timeonline, or at the theatre box office.
Group Tickets (12+)
Book online or call 800-714-8452.
Take the C, E train to 50th St.
Take the N, R to 49th St.
About This Theatre
Opened in 1986, the Marquis Theatre is one of the newest theatres to be built on Broadway. Located inside the Marriott Marquis Hotel, it was designed to provide maximum comfort for audiences and actors while conveying a feeling of intimacy. The venue features an expansive backstage, high ceilings, state-of-the-art acoustics, wide aisles, comfortable seats, ample restrooms, and parking.
Since its opening, the theatre has showcased a series of hit musicals including Me and My Girl, Gypsy, Man of La Mancha, The Goodbye Girl, Damn Yankees, Victor/Victoria, Peter Pan, Annie Get Your Gun, and Thoroughly Modern Millie. Before or after seeing a show at the Marquis, theatergoers can dine at one of the fine restaurants located throughout the hotel.
Once Upon a One More Time is next up at the Marquis Theatre.
Masks are optional but strongly encouraged for all guests until further notice. See full policy details.
American Express, Visa, and Mastercard are accepted for ticket purchases at the box office.
Exchanges/Refunds All ticket purchases are final and tickets may not be exchanged or refunded. See Terms & Conditions.
Dress Code There is no dress code at the theatre. For all performances, attire should be comfortable and appropriate for the occasion. The theatre is air-conditioned during the summer months.
All persons entering the theatre, regardless of age, must have a ticket. Guests under 5 are not permitted in the theatre.
The seating procedure for latecomers varies by seat section. Late patrons who are seated in the front orchestra are held in the lobby for 10 minutes after the performance begins. They are then escorted directly to their seats by an usher.
Smoking (including e-cigarettes) is prohibited in the Marquis Theatre.
Patron Security For the protection of our patrons, theatre managers and private security personnel are on duty during all performances.
All bags will be inspected upon arrival. Luggage, shopping bags, and other large packages that will not fit comfortably with you at your seat will not be checked or allowed inside the theatre. For your convenience, please arrange to check your large bags at one of these locations if you are unable to leave them at home.
Do not leave your personal bags (purses, backpacks) unattended while in the theatre.
Do not carry any of these items into the security screening area. Items that are confiscated will not be returned. If you are unsure about any item, do not bring it to the theatre.
All weapons are strictly prohibited, including but not limited to: firearms, ammunition, knives, swords, scissors, OC spray (mace), any dangerous items, and weapons of any kind
Outside food or beverage
Large professional cameras or video recording equipment
Flashlights or laser pointers
Noise making devices or fireworks
The Marquis Theatre has the right to refuse entry if any of the above is not adhered to.
Concessions There are three bars located on the theatre’s orchestra level and one bar on the mezzanine level where alcoholic and nonalcoholic beverages as well as snacks can be purchased. Bottled water and beverages with secure tops are permitted in the auditorium. The bars begin serving patrons 30 minutes prior to the start of the performance and at intermission.
Nederlander Theatres do not permit outside food or beverages.
Patrons seeking to bring in their own food or drink because the food or drink is necessary for medical reasons shall be permitted to bring such food or drink into a theatre.
It is imperative for patrons to understand that not only do the theatres sell peanut-related products, it is impossible for any theatre to designate peanut-free seating zones since we cannot control what food products patrons may bring into the theatres.
Restrooms are located outside the theatre lobby, Orchestra level, in the common area on the third Floor and Mezzanine level of the Marquis Hotel.
There is no cloakroom service available at this theatre.
We are partnered with ParkWhiz to help our customers book parking in advance. ParkWhiz features hundreds of parking locations all over NYC at discounted rates. Book parking here before you head in for the show.
Lost & Found
Did you lose an item at the Marquis Theatre? You’ve come to the right place to start looking.
Accessible seating is available for this performance as indicated on the seating map.
Wheelchair locations are available in the orchestra section of the theatre (pending availability). You may purchase one wheelchair and three companion seats per order if available.
For guests with limited mobility, there are seats available with movable/folding armrests (“Aisle transfer seats”) in these locations: Orchestra A1, A2, F17, F18, K1, K2, P101, P125, S27, S28, T1, T2; Mezzanine K33, K34, L1, L2.
The theatre aisles on the orchestra level are stepped instead of ramped. There are 22 steps starting from row X down to row AA.
For low vision/deaf & hard of hearing guests, accessible seats are available in the Orchestra Row A 101-104, B 1-3, B 2-4.
The Marquis Theatre is committed to the needs of our patrons with disabilities. For more details on our policies or assistance purchasing accessible seating, please contact us at 212-382-0100 or send us a message.
All restrooms are equipped to accommodate the patrons with disabilities.
There are designated wheelchair and companion seats in the rear of the Orchestra. All other seating locations require the use of stairs.
Services for Patrons With Disabilities
Theatre representatives are available to meet physically challenged theatergoers in the lobby of the building to escort them to designated wheelchair accessible areas.
Policy on Guide Dogs and Service Animals
Although animals are not permitted in the theatre, an exception is made for guide dogs and service animals. Please inform your ticket sales representative if any accommodations are required.
Headsets for sound augmentation are available at the theatre, free of charge. Guests are required to fill out a form with their name, email, and phone number to ensure the item is returned after the show. Once the item is returned, the guest’s information will be deleted so they will not be contacted after the show.
Beginning in June, this theatre offers automated closed captioning and audio description via I-Caption or on your personal mobile device with the GalaPro App. Download from the App Store or Google Play.
The Marquis Theatre, which has been leased by the Nederlander Organization for 35 years, had a spectacular opening on August 10, 1986, with an enormous hit: Me and My Girl, a new production of a 1937 London musical that delighted audiences with its broad humor, glamorous sets and costumes, and rousing musical score. Robert Lindsay, Maryann Plunkett, and Gillian Gregory all took home Tony Awards for it; the musical ran for 1,420 performances and got the beautiful new theatre off to a flying start.
Audiences also liked the raucous Brazilian song-and-dance revue called Oba Oba ’90 before the scenic resources of the Marquis were tested to their fullest capacities by Shogun: The Musical in 1990. Based on the novel by James Clavell, the musical had book and lyrics by John Driver and music by Paul Chihara.
Tyne Daly, who had won a Tony the previous season for her starring role in Gypsy, brought the musical back to the Marquis Theatre in 1991 and repeated her electrifying performance as Rose. Arthur Laurents was back at the Marquis later that year as librettist and director of the musical Nick & Nora, which had a score by Charles Strouse and Richard Maltby Jr. Based on the characters Nick and Nora Charles, created by Dashiell Hammett for The Thin Man, the musical spoof cast Barry Bostwick and Joanna Gleason as the husband and wife sleuths and Faith Prince as a hysterical murder victim.
On April 24, 1992, a new production of Man of La Mancha opened at the Marquis, starring Raúl Juliá as Cervantes/Don Quixote and Sheena Easton as Aldonza/Dulcinea.
The Marquis’s 1993 tenant was The Goodbye Girl, starring Bernadette Peters and Martin Short, based on the Neil Simon film, with book by Simon and a Marvin Hamlisch– David Zippel score.
In 1994, a splendid new production of Damn Yankees opened with Bebe Neuwirth, Victor Garber, and Jarrod Emick. Garber was succeeded by Jerry Lewis, making his Broadway debut. Julie Andrews in Victor/ Victoria was a long-running tenant. She was succeeded in the title role by Liza Minnelli and then Raquel Welch.
This theatre’s most recent tenants include On Your Feet!; Lewis Black: Black to the Future; Penn & Teller on Broadway; The Illusionists: Witness the Impossible; multinational vocal group Il Divo; revivals of Jekyll & Hyde, Evita, and Sondheim’s Follies; Wonderland; Donnie & Marie: A Broadway Christmas; Come Fly Away; Irving Berlin’s White Christmas; 9 to 5; Cry-Baby; The Drowsy Chaperone; The Woman in White; La Cage aux Folles; Sutton Foster winning her first Tony in Thoroughly Modern Millie (903 performances); a Tony-winning Bernadette Peters—followed by starry replacements, including Reba McEntire—in Annie Get Your Gun (1,045 performances); Peter Pan; Forever Tango; and The Capeman.
Used with permission by Playbill, Inc. Playbill is registered trademark.
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