Two-time OBIE award–winning artist Dave Malloy is certainly a jack of musical theater trades — and really a master of them all. The composer/book writer/lyricist/orchestrator/actor is currently represented on Broadway with the new hit show Natasha, Pierre & the Great Comet of 1812. NY1 entertainment reporter Frank DiLella recently caught up with Malloy to chat about bringing Leo Tolstoy’s historic epic War and Peace into the musical spotlight.
First off, I have to say congratulations! This is your first show on Broadway, and — BAM! — you’re a hit.
Thank you. It’s sort of surreal. It’s been a joy to see it succeed and have all my friends come with me on this journey — that’s been the coolest part.
I also need to point out that you’re giving celebrated recording artist Josh Groban his Broadway debut with this piece. I understand he fell in love with this show years ago Off-Broadway.
I sadly wasn’t there the night he came to the show Off-Broadway, but he loved it. He asked the stage managers to be let backstage at intermission just so he could go backstage and “freak out” to people. So, yeah, he loved it. He took a photo with the cast and then tweeted about it. For him it was love at first sight, which is so incredible; we were looking for him at the same time he was looking at us for a show.
Take me back to the drawing board: How? Why?! A section of War and Peace as material for a musical? Where did you get this idea?
I read the book while working on a cruise ship about eight years ago, and this particular section of the book just immediately sang out to me as a perfectly formed musical. Like Tolstoy laid out the perfect outline. We had the two stories that ran in parallel — like Natasha and Anatole, the love story. And then a lot of times musicals have a second couple, but in Tolstoy it’s Pierre and his existential life crisis. And Pierre is like a comic clown character in some ways, a very sad and depressed one. So I loved that structure of having a typical romantic Broadway couple and then this philosophical and existential character. And I love the way the two stories intersect at the very end, and they both have this transformative moment. And the final moment in Tolstoy where our show ends — I can’t read it without crying. So I immediately thought, This is the perfect musical!
Can you talk about the music vocabulary for your show?
I definitely was listening to a lot of classical Russian music and Russian folk music and also Russian rock and pop music from the ’60s and ’70s. But at the same time, my general musical taste is pretty eclectic. Like, I like different styles of music, and that influences the way I compose. When I compose I don’t try to write in a particular style, I just go, OK, I have a billion things available to me; which will help tell the story the best? A lot of my music is character-driven, like Sonya’s solo. When I read that text, I was like, This is a beautiful indie-rock song — this should be a folksy indie-rock song. And when Anatole is bragging about how wonderful he is, his electricity and sensuality said techno music to me.
Let’s talk about the growth of this piece. The Great Comet originally had its world premiere at the tiny Off-Broadway space Ars Nova in the fall of 2012. And since its debut, the musical has grown a great deal. How much has the show changed over the years?
I think for me, the coolest addition of the piece has been the growth of the ensemble. We started out where the 10 leads were the only actors on stage. When we transferred to Off-Broadway, we added a six-person chorus, and then that changed to 12 people at the American Repertory Theater in Cambridge, Massachusetts. And now we’re over 20 with ensemble members on stage on Broadway. So someone in the audience is always close to a performer.
Were you ever hesitant to take this show to Broadway due to its atmospheric nature?
Not really, honestly. When I was writing the show, I come from an experimental-theater background, so the experiment for this, for me, was to see if I could write a Broadway-style musical. So Les Misérables was the template for my show. I never thought Broadway would happen, but that’s what I wanted to do. And as far as the staging goes, when the idea of Broadway started to get thrown around, I think [director] Rachel Chavkin and I were adamant about doing Broadway but on our terms. Like, we’re not going to turn this into a proscenium-style show — we need to keep the design of this show intact — and if we could figure out a way to do that on Broadway, we will. And luckily, our producers agreed with us, and it took us a while to get there, but we’re here.
You’re giving a lot of folks their Broadway debuts with this musical.
That has been the coolest part: to bring along all my friends on this ride, especially people who have been with this show since Ars Nova. A lot of them were not theater performers. Brittain Ashford has been a singer/songwriter I’ve known for years. Gelsey Bell works in experimental music and opera. So the fact that I asked them to be in this little weird show at Ars Nova four or five years ago and that has resulted in them being in a Broadway show is incredible!
And it was recently announced that you will be making your Broadway stage debut in your show in the spring.
I’m so excited, I mean, what’s the phrase? I can have my cake and eat it too? [Laughs.] I get to go in and do 10 shows! I just wanted to do it a handful of times just to say that I had done it, and again doing it with all my friends.
Who are your musical-theater idols?
Sondheim, for sure. Also, Claude-Michel Schönberg and Alain Boublil, because I grew up on Les Misérables and Miss Saigon. Those two shows are etched into my brain. And I think of a lot of older things, like West Side Story and The Music Man. I just saw Fiddler on the Roof and loved it so much.
I understand you’re working on musicalizing another classic text for your next musical-theater project?
I’m doing Moby Dick next, and I think similar to War and Peace, what attracted me to both of those novels is the epic scope of the novels. In the content and in the form, both of those books are very strange books. Moby Dick has the narrative going on but then there are all these chapters about whaling, and one chapter is an encyclopedia, and I love that idea of playing with form. So I try to apply that to theater as well.
What is the timeline for Moby Dick?
In February we’re doing a big workshop at Berkeley Rep, which hopefully will lead me to a complete show, and we’ll take it from there.
The Great Comet is just a section of War and Peace. Do you have any plans to create a part 2?
Totally. Rachel and I have joked about that! But we’ve talked about if we did do another section, we would want to do a “war section,” because The Great Comet is a peace section. And we thought about doing a grand-scale war section, like, on Governors Island — like an outdoor battlefield–type event.
Information We Collect
Information we collect directly from you: Your provision of your personal information to Us is completely voluntary; it is not a statutory or contractual requirement. Personally Identifiable Information (“PII”) is information that is uniquely identifiable to you, such as your name, address, email address, phone number, credit card number and other personal information that is not otherwise publicly available. Certain features of Our website may require that you provide Us with your personal information, including:
Mobile Alert Sign-Up (SMS)
Contact Us (email)
Public forums (e.g. message boards)
E-commerce (ticket purchases)
Your use of any of the features above;
New content on Our website;
News that We think may interest you about Us;
Responses to your questions/comments to us; and
Information relating to a ticket purchase.
We may use your demographic information for in house statistics, advertising and marketing target information. Our processing of your personal information is necessary for the performance and fulfillment of the contract between us and to provide you with Our services. We will also process, transfer, disclose and preserve personal information when We have a good faith belief that doing so is necessary, to resolve disputes, enforce our agreements and otherwise required by law. You can always opt-out of receiving future promotional communications from Us; see the Choice/Opt-out section below.Information We Collect Automatically: Even if you don’t use any of the features above, when you visit Our website, We may collect certain information about you.
From your Browser. For example, Our servers keep an activity log that tracks all visitors to the website. The information in the activity log does not identify you individually. The information collected may include among other data: your IP address, your registered domain or home server, time of access, date of access, web page(s) visited, number of clicks, software crash reports, type of browser used, session identification number, search terms, search results, access times and referring website’s address. We use your IP address to help diagnose problems with Our server and to administer Our website. Your IP address is also used to gather broad demographic information, such as country of origin and geographic location. We use such data in the aggregate to run internal analyses to improve upon your experience on Our website.
Tracking Tags (also known as “web beacons,” “action tags” or “single-pixel gifs”). Our website may also use tracking tags. Tracking tags are invisible graphics embedded in the pages of Our website that are programmed to collect non-personal information about your use of Our website. Like cookies, tracking tags provide overall usage patterns for Our website that We use for analysis and to provide personalized services and advertising content.
We comply with the Self-Regulatory Principles for Online Behavioral Advertising set forth by the Digital Advertising Alliance (DAA). You can opt-out of targeted advertising from certain providers at www.aboutads.info/consumers.
How We Use Your Personal Information
The personal information We collect allows Us to keep you posted on updates to Broadway Direct. It also helps Us to improve Our services, content, and advertising. If you don’t want to be on Our email list, you can opt out anytime by clicking the “unsubscribe” button or sending an unsubscribe email to [email protected]. From time to time, We may use your personal information to send transactional emails, such as communications about purchases and changes to Our terms, conditions, and policies. Because this information is important to your interaction with Broadway Direct, you may not opt out of receiving these communications. We may also use personal information for internal purposes such as auditing, data analysis, and research to improve Broadway Direct’s services, and customer communications. If you enter into a sweepstakes, contest, or similar promotion We may use the information you provide to administer those programs.
Information Collected By/Shared With Third Parties
Third Parties Doing Work for Us. Third parties have no rights to use any data We have collected on your behalf. However, We may employ other companies or individuals to perform functions on Our behalf, such as sending postal mail, email, and text messages, conducting sweepstakes/contests, prize fulfillment and promotional activities, analyzing data, providing marketing assistance, processing credit card payments and providing customer service. These outside suppliers, agents and vendors have access to your personal information only as needed to perform their functions.
Third Parties with Links from Our Website. From our website, you may be able to click on links to third party sites to buy tickets and merchandise and for other purposes. These third party sites may collect information, including personal information. We are not responsible for, nor do we have access to the information they collect. The collection of this information is governed by the privacy policies on the applicable third party sites.
Social Networking Services. Our website may integrate with social networking services. We do not control such services and are not liable for the manner in which they operate. While we may provide you with the ability to use such services in connection with our website, we are doing so merely as an accommodation and, like you, are relying upon those third party services to operate properly and fairly.
When necessary. We may also release personal information when we believe, in good faith, that such release is reasonably necessary to protect the rights, property or safety of Ourselves, Our clients, Our users, or others. We may disclose personal information about you to law enforcement, other government officials, or other third parties, as We, in our sole discretion, believe necessary or appropriate, in connection with an investigation of fraud, intellectual property infringement, or other activity that is illegal or may expose Us to legal liability.
Transactions With Third Party E-commerce Partners, Vendors and Advertisers
Delivery of Advertising and Other Content
In addition to ads and content that We may serve you directly, We use third-party advertising companies and marketing services companies to serve ads and other content when you visit Broadway Direct and elsewhere on the internet and in other media. Both We and these companies may use information about your visits to Broadway Direct and elsewhere to serve ads and other content to you. In the course of doing so, a unique third-party cookie may be placed or recognized on your browser by such companies. In addition, We and these companies may use Web beacons to help manage Our online advertising and content. These Web beacons enable Us and the third-party companies to recognize a browser’s cookie when a browser visits this Site and to learn which banner ads bring users to our website and to serve you ads that you may find of interest elsewhere on the internet and in other media. Both Broadway Direct and these companies may use information obtained from your visits to Broadway Direct or other websites, and information received from you offline in order to provide advertisements about goods and services and other content of interest to you across the internet and in other media. If you would like more information about this practice and to know your choices about not having this information used in this manner by Our third party advertising companies, please visit http://www.networkadvertising.org/optout_nonppii.asp and/or www.aboutads.info/choices. European users may opt out of receiving targeted advertising by visiting http://www.youronlinechoices.eu/. In addition, we may provide PII and Anonymous Information to marketing services companies. This may include information we received from you offline or online. These companies may combine information we provide (including PII and Anonymous Information) with personal and anonymous information they may have about you, using cookies they place or that We place on their behalf, as described in the section regarding “Cookies and Tracking Tags”. We require these companies to delete the PII we provide them. These companies may use the resulting non-personal information and such cookies for their own marketing purposes, and they may provide the same to their customers for their customer’s marketing purposes. Some of Our emails may contain tags that allow Us and Our advertisers and other partners to determine the types of content that may be of interest to you. Those tags may contain PII and may be shared with others to the same extent indicated in the section regarding “Cookies and Tracking Tags”. Those tags may not be deleted but you can opt out of receiving the emails.
Use of This Site by Children
The Site is not directed to individuals under the age of thirteen (13), and We request that such individuals do not provide personal information through the Site. If a parent or guardian becomes aware that his or her child has provided Us with PII without the parent or guardian’s consent by, for example, misrepresenting his or her age, that parent or guardian should contact us at [email protected]. If Broadway Direct determines that it has collected personal information of children under the age of 13, Broadway Direct will immediately delete such information and any accounts believed to be held by children under 13. In addition, we may not collect or process information from a citizen of an EU member state under the age of sixteen (16) without such person’s parental consent. If you are a citizen of an EU member state under the age of 16, please tell your parents that you are using the Site and have your parents email Us at [email protected] so that We may delete any information We may have collected about you.
California Civil Code § 1798.83 permits California residents to request information about whether we have disclosed personal information to any third parties for the third parties’ direct marketing purposes. California residents have the right to request in writing: (a) a list of the categories of Personal Information, such as name, email address and mailing address and the type of services provided to the customer that a business has disclosed to third parties (including affiliates that are separate legal entities) during the immediately preceding calendar year for the third parties’ direct marketing purposes and (b) the names and addresses of all such third parties. To make a request, please contact Us at the following email address: [email protected].
Rights of EU Data Subjects
If you are a resident of the European Union, under the GDPR, European Union residents, as data subjects, have the following rights:
Right to access – This right allows individuals to obtain confirmation as to whether or not personal information concerning him or her is being processed and provide access to such personal information. It also allows individuals to request details of the processing of his or her personal information, including, without limitation, categories of recipients to whom the personal information have been or will be disclosed and purposes of processing.
Right to rectify – This right allows individuals to rectify any inaccurate personal information about him or her.
Right to restrict processing – This right allows individuals to block or suppress processing of personal data under certain circumstances.
Right to be forgotten – This right is also known as the “right to erasure”. It is an individual’s right to have personal data erased or to prevent processing in specific circumstances.
Right of data portability – This right allows individuals to move, copy or transfer personal data from one place to another in a secure manner without interrupting the integrity and usability of the information.
Right to object to processing – This right allows individuals to object to certain types of processing, including direct marketing, profiling and providing for purposes of scientific or historical research and statistics.
An EU resident has the right to access his or her personal data that We hold and to ask that their personal data be corrected or erased and to port their data. An EU resident may also have the right to object to, or request that We restrict certain processing or to withdraw consent previously provided. If you would like to exercise your rights under the GDPR, please contact us at [email protected]. If you are an EU resident and have a concern about our processing of your personal data that we are not able to resolve, you have the right to lodge a complaint with the Data Protection Authority where you reside. For contact details of your relevant local Data Protection Authority, please see http://ec.europa.eu/newsroom/article29/item-detail.cfm?item_id=612080
Security of Your Personal Information
Broadway Direct employs reasonable security measures consistent with standard industry practice, for personal information collected through this Site, including physical, electronic and operational measures to maintain security and prevent unauthorized access. While Broadway Direct takes all appropriate steps to safeguard personal information under Our control, unfortunately, no data transmission over the Internet or method of storing data can be guaranteed to be 100% secure. As such, We cannot guarantee that personal information supplied by users will not be accessed on Our servers, or intercepted while being transmitted to Us over the Internet. We assume no liability for any damages you may suffer as a result of interception, alteration or misuse of information during such transfers.
We will retain your information for as long as your account or inquiry is active and for a reasonable time thereafter in accordance with Our standard procedures or as necessary to comply with Our legal obligations, to resolve disputes, and to enforce Our agreements. Even if We delete some or all of your Personal Information, We may continue to retain and use aggregate or anonymous data previously collected and/or anonymize or aggregate your Personal Information. Please note that We will not be liable for disclosures of your data due to errors or unauthorized acts of third parties.
This Site provides users the opportunity to opt-out of receiving communications from Us, at any time, by email at [email protected], or by clicking the unsubscribe link in any email communication. The Site gives users the following options for removing their information from our database, to not receive future communications or to no longer receive our service, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715.
Users can opt-out of receiving future newsletter emails from Us by selecting the “unsubscribe” link at the bottom of our email. However, We are not responsible for removing your information from the lists of any third party who has previously been provided with your information or is collecting your information through their cookies. You have the right to withdraw your consent for Our processing for your personal information by contacting us at [email protected].
This website gives users the following options for changing and modifying information previously provided, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715
In the event that We are, or any component of our operations is, merged with, or is acquired by, another entity, then any such successor or acquiring entity may become the successor to Our obligations with respect to the personal information that you have provided to Us, which would be necessary for the entity to effectively continue our business. By using this website, you consent to any transfer and use of such personal information by an entity assuming control of Our operations as a result of a merger, purchase of assets, or liquidation in bankruptcy or insolvency.