Suzan-Lori Parks’ Pulitzer Prize-winning masterpiece, Topdog/Underdog, will return to Broadway this fall in a 20th anniversary production, directed by Tony Award winner Kenny Leon and starring Tony Award nominee Corey Hawkins (In the Heights, The Tragedy of Macbeth) and Emmy Award winner Yahya Abdul-Mateen II (Watchmen, Candyman) as brothers Lincoln and Booth.
The strictly limited 16-week engagement will begin previews on Tuesday, September 27 at the Golden Theatre, officially opening on Thursday, October 20. Tickets will go on sale Monday, June 20, Juneteenth National Independence Day. The production is being produced by David Stone, LaChanze, Rashad V. Chambers, Marc Platt, Debra Martin Chase, and the Shubert Organization.
Suzan-Lori Parks’ Topdog/Underdog, a darkly comic fable of brotherly love and family identity, tells the story of two brothers, Lincoln (Hawkins) and Booth (Abdul-Mateen II), names given to them as a joke by their father. Haunted by the past and their obsession with the street con game, three-card monte, the brothers come to learn the true nature of their history.
“I’m so blessed that Topdog is back on Broadway! What a beautiful opportunity to share this work with new audiences. And, wow, how many writers get to be here for a Broadway revival of their work? I’m grateful and thrilled,” said Suzan-Lori Parks. “And doing the show with Kenny, Yahya, and Corey — that’s icing on the gravy, baby!”
Suzan-Lori Parks’ Topdog/Underdog will feature scenic design by Arnulfo Maldonado, costume design by Dede Ayite, lighting design by Allen Lee Hughes, and sound design by Justin Ellington. Casting is by Calleri Jensen Davis. Kamra Jacobs will be the Production Stage Manager.
Suzan-Lori Parks is the first Black woman to win the Pulitzer Prize for Drama, an award she received in 2002 for Topdog/Underdog. In 2018, the play was named “The Greatest American Play of the Past 25 Years” by The New York Times. This unprecedented distinction was awarded unanimously by a special panel of critics convened to examine and rank the most important plays written and produced in the previous 25 years. In addition, when Ben Brantley retired as chief theatre critic for The New York Times, he called Topdog/Underdog the best play he reviewed during his tenure.
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