Lincoln Center Theater (under the direction of André Bishop) has announced complete casting today for the Broadway premiere of Floyd Collins, a musical with book by Tina Landau, music and lyrics by Adam Guettel, additional lyrics by Tina Landau, and direction by Tina Landau.
The company will feature Jeremy Jordan as Floyd Collins, Jason Gotay as Homer Collins, Sean Allan Krill as H.T. Carmichael, Marc Kudisch as Lee Collins, Lizzy McAlpine as Nellie Collins, Wade McCollum as Bee Doyle, Jessica Molaskey as Miss Jane, Taylor Trensch as Skeets Miller, Cole Vaughan as Jewell Estes as well as Kevin Bernard, Dwayne Cooper, Jeremy Davis, Charlie Franklin, Kristen Hahn, Happy McPartlin, Kevyn Morrow, Zak Resnick, Justin Showell, Colin Trudell, and Clyde Voce.
Floyd Collins will have sets by dots, costumes by Anita Yavich, lighting by Scott Zielinski, sound by Dan Moses Schreier, and projections by Ray Sun, with dance sequences by Jon Rua, casting by The Telsey Office, Patrick Goodwin, CSA and music direction by Ted Sperling. Bonnie Panson will be the stage manager. Lincoln Center Theater is producing Floyd Collins in association with Creative Partners Productions and Mark Cortale & Charles D. Urstadt.
Floyd Collins will begin previews Thursday, March 27, 2025, and open on Monday, April 21, 2025, at the Vivian Beaumont Theater.
The musical had its world premiere at the American Music Theater Festival in Philadelphia in 1994. It was followed by the off-Broadway debut at Playwrights Horizons in 1996 where it won the Lucille Lortel Award for Outstanding Musical. Due to its enduring cast recording, the musical has achieved a devoted following over the years. This Lincoln Center Theater production will mark the long-awaited Broadway debut of this modern-day classic.
Floyd Collins is based on the true story of a cave explorer in Kentucky, 1925. While chasing a dream of fame and fortune by turning Sand Cave into a tourist attraction, Floyd Collins himself becomes the attraction when he gets trapped 200 feet underground. Alone but for sporadic contact with the outside world, including his brother Homer, Floyd fights for his sanity – and, ultimately, his life – as the rescue effort above explodes into the first genuine media circus. Reporters and gawkers from across the country descend on the property, fueling the hysteria and manipulating the nation into holding its collective breath. Floyd Collins, featuring a haunting exploration of the American dream by Tina Landau and a glorious folk and bluegrass-inspired score by Adam Guettel, tells the transcendent tale of a true American dreamer.