The first half of the 2013–2014 season was dominated by Shakespeare and the classics, but musical theater fans can take heart: There are 10 musicals, including four revivals, slated to open on Broadway between now and the close of the season at the end of April.
Of course, with the long-running hits shows still around, there isn’t really a shortage of musicals on Broadway: The romance of The Phantom of the Opera has endured for a quarter century; Bob Fosse’s signature choreography has kept Chicago sizzling since 1996; Julie Taymor’s transformative stagecraft in The Lion King has been enthralling audiences since 1997; the popularity of ABBA music in 2001’s Mamma Mia! has crossed over to multiple generations; Wicked recently celebrated a box-office record-breaking decade; Jersey Boys has been ruling since 2005; the 1980s glam-metal rock scene has been resurgent since Rock of Ages came along in 2009; The Book of Mormon has been poking cheeky fun at religion since 2011; two widely different hits from 2012, Once and Newsies, have created their own cult followings; and the hits of the past season — Kinky Boots, Matilda, Motown the Musical, Cinderella and Pippin — are still audience favorites. Now, the new crop of 2014 musicals, which join the holdovers from last fall (A Gentleman’s Guide to Love and Murder, After Midnight and A Night With Janis Joplin) promise to suit a variety of musical tastes. Beautiful: The Carole King Musical, a biographical musical about the poignant life and successes of the Brooklyn-born singer and songwriter, just opened earlier this month. Jesse Mueller, who was nominated for a Tony Award for On a Clear Day You Can See Forever, plays Carole King, and Jake Epstein plays the singer’s former husband and writing partner, Gerry Goffin. Written by Oscar-nominated screenwriter Douglas McGrath and directed by Marc Bruni, the show charts King’s life from the start of her career in 1958 to the release of her Grammy Award–winning album “Tapestry” in 1971, and draws from her extensive catalog of hits, which includes “You’ve Got a Friend,” and “A Natural Woman.”
Four-time Tony nominee Kelli O’Hara (last seen on Broadway in Nice Work if You Can Get It) is the star of The Bridges of Madison County (starts January 17), based on the romantic bestseller by Robert James Waller. The tale of Francesca Johnson, the Italian-born Iowa housewife who has an intense four-day affair with a visiting National Geographic photographer, is best known from the 1995 Clint Eastwood movie version starring Meryl Streep. The musical version sets the passionate love story against the broader scope of the heroine’s life in the 1960s farming community, giving voice to her family and friends as well. The score is by Jason Robert Brown (Tony Award–winning composer and lyricist for Parade and Drama Desk award winner for The Last 5 Years) and the book is by Marsha Norman, who won a Pulitzer Prize for her 1983 play ’Night, Mother and a Tony Award for her musical adaptation of The Secret Garden. The part of Robert Kincaid, who is on an assignment to photograph the covered bridges in the area, is played by Steven Pasquale. The production is helmed by Bartlett Sher, who previously directed O’Hara to great acclaim in The Light in the Piazza and the Tony-winning revival of South Pacific.
Surprisingly, romance is also the spark for the new musical Rocky (starts February 11). “People misremember it as a boxing story,” says director Alex Timbers, referring to the Oscar-winning 1976 movie written by and starring Sylvester Stallone, about the Philadelphia boxer who gets an unexpected shot at the world’s heavyweight championship title. “It is this beautiful underdog story about two damaged people — Rocky and Adrian — who, through their love for each other, find hope and dignity.” The musical has stellar writing credentials: a score by Stephen Flaherty (music) and Lynn Ahrens (lyrics), the award-winning duo responsible for Ragtime and Seussical as well as several Off-Broadway favorites; and a book by Thomas Meehan, Tony winner for Annie, The Producers, and Hairspray. Director Timbers, last represented on Broadway with the Tony-nominated Peter and the Starcatcher, says he aims to capture the gritty visceral world of the fight clubs as well as the “sense of intimacy” and “the long poetic scenes” from the movie where you “connect with the characters on a personal level.”
Ever since Beauty and the Beast, which debuted on Broadway in 1994, the Disney company has supplied the Great White Way with musicals based on their animated and live-action movies. The latest is Aladdin (starts February 26), based on the 1992 animated feature inspired by the Arabian folktale from One Thousand and One Nights. The score is based on the original Oscar-winning music by Alan Menken and lyrics by Tim Rice and the late Howard Ashman, and incorporates a new book and additional lyrics by Chad Beguelin (recently represented on Broadway with Elf). Riding the magic carpet together are Adam Jacobs, as the street kid who discovers a magic lamp, and Courtney Reed, his love interest, Princess Jasmine. The production, directed and choreographed by Casey Nicholaw (codirector and choreographer of the Tony-winning The Book of Mormon) also features Jonathan Freeman as the evil Grand Vizier Jafar, performing the role he originally voiced in the movie.
The last time Susan Stroman collaborated with a master comedian on a showbiz musical, she hit the jackpot: The five-time Tony Award–winning director-choreographer scored her greatest hit to date working with Mel Brooks on The Producers, a six-year megahit that won a record-breaking 12 Tony Awards in 2001. This season she is working with another comic genius, Woody Allen, and the musical is Bullets Over Broadway (starts March 11), which pits the murderous dealings of the Mob against showbiz egos in a backstage comedy set in 1929 New York. The book for the new musical is written by Allen himself, adapted from the 1994 movie he cowrote with Douglas McGrath; the score incorporates popular songs from the 1920s and 1930s. Zach Braff (Emmy nominee for Scrubs) makes his Broadway debut as the novice writer forced to make compromises in order to get his play produced on Broadway. Three-time Tony nominee Marin Mazzie (Kiss Me Kate, Ragtime, Passion) takes on the juicy role of the aging diva Helen Sinclair (played in the movie by Dianne Wiest) and Nick Cordero plays Cheech, the hit man with an uncanny knack for playwriting.
If/Then (starts March 5) is something of a rarity on Broadway: a musical written originally for the stage. The show marks the much anticipated return of Idina Menzel, best known for creating the beloved Elphaba in Wicked a decade ago. Written by Tom Kitt (music) and Brian Yorkey (book and lyrics), the Pulitzer Prize–winning team who wrote Next to Normal, If/Then is about chance and possibilities in the life of Elizabeth, an urban planner approaching 40 who, after a failed marriage, now faces a new beginning in New York City. Menzel plays two versions of her character — Liz and Beth — in twin story lines that represent alternate realities. The production reunites the Tony Award–winning singer and actress with her castmate Anthony Rapp and director, Michael Grief, from her debut musical, Rent. The company also includes LaChanze, Tony winner for The Color Purple, James Snyder (Cry-Baby) and Jerry Dixon (Once on this Island).
Of the four musical revivals slated for this season, Les Misérables (starts March 1), of course, hardly needs any introduction. This production, however, is a reimagined version of the landmark musical written by Claude-Michel Schönberg, Alain Boublil, and Herbert Kretzmer, which has been running continuously in London since it opened in 1985. The defining stage design element of the original production, a revolving turntable that represented a highlight of theatrical technology of the 1980s, has been replaced with 21st century digital technology; the current production design utilizes a series of images inspired by novelist Victor Hugo’s own paintings to propel the epic story. Iranian-Canadian actor and singer Ramin Karimloo makes his Broadway debut as Jean Valjean and Will Swenson (Priscilla and Hair) plays his nemesis, Javert.
A little-known but well received 1997 Off-Broadway musical, Violet (starts March 28) gets a fresh lease of life on Broadway this season. Based on Doris Betts’s short story The Ugliest Pilgrim, Violet is about a disfigured young woman from North Carolina who makes a journey to Oklahoma in 1964 hoping to be restored to beauty by a faith healer. Violet’s life and aspirations change after she meets a young black soldier, who is himself dealing with the racial prejudice of the era. The libretto is written by Brian Crawley and the gospel, rock, and R&B score is by Jeanine Tesori, a three-time Tony Award nominee for Thoroughly Modern Millie, Caroline, or Change, and Shrek the Musical and composer of the recent Off-Broadway hit Fun Home. Sutton Foster, who starred in Millie and Shrek and who received a Tony for the recent revival Anything Goes, plays the lead in the Roundabout Theater Company production, directed by Leigh Silverman.
Hedwig and the Angry Inch (starts March 29) marks the arrival of another scarred heroine on Broadway. The punk-rock musical, written by actor-playwright John Cameron Mitchell and composer-lyricist Stephen Trask, began life in various downtown clubs in the mid-1990s before settling into a sensational two-year-plus Off-Broadway engagement in 1998. Tony Awards show host and How I Met Your Mother star Neil Patrick Harris will take on the part originally played by Mitchell — the titular Hedwig, an androgynous rock star from East Berlin who is determined to overcome a botched transgender surgery and reunite with the glam rock icon he/she helped to create. The production is directed by Michael Mayer, Tony Award winner for Spring Awakening and Drama Desk winner for American Idiot.
Some three decades before young Hedwig made her journey out of Communist East Berlin, the indomitable Sally Bowles was exploring divine decadence at the Kit Kat Klub in 1930’s Berlin. Oscar nominee (Brokeback Mountain) and Golden Globe winner (My Week With Marilyn) Michelle Williams makes her Broadway debut playing Sally in a new revival of Cabaret (starts March 21). John Kander, Fred Ebb, and Joe Masteroff’s famous musical, based on Christopher Isherwood’s novella Goodbye to Berlin, charts the life of the entertainer and aspiring star Bowles against the backdrop of the rise of the Nazis and the escalation of anti-Semitism in prewar Germany. Alan Cumming, star of the last revival in 1998, reprises his Tony Award–winning performance as the Emcee in this production, which is again directed by Sam Mendes.
Visit us again on January 27th for Part Two of the Season Preview: The Plays.
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Information We Collect
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We comply with the Self-Regulatory Principles for Online Behavioral Advertising set forth by the Digital Advertising Alliance (DAA). You can opt-out of targeted advertising from certain providers at www.aboutads.info/consumers.
How We Use Your Personal Information
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Information Collected By/Shared With Third Parties
Other than as provided in this Privacy Policy, we do not share your personal information with third parties.
Advertising. We partner with advertising companies who may use information from cookies and the tracking tags they place on our website to provide you with targeted advertisements about goods and services that may be of interest to you based on your use of our website and to track the effectiveness of ads served to you. These advertising company partners may anonymously track your Internet usage across other websites in their networks beyond our website. Any information that these advertising companies collect via cookies and tracking tags is generally not personally identifiable (unless, for example, you provide personal information to them through an ad or email message). You are welcome to browse the site in private/incognito mode, which means cookies will not be activated and previous cookies will not be tracked. If you need help with this, contact us at [email protected]. If you would like more information about the use of cookies and tracking tags and to know your choices about not having this information used by these companies, see the Network Advertising Initiatives consumer Web site at http://www.networkadvertising.org/consumer/.
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Third Parties Doing Work for Us. Third parties have no rights to use any data We have collected on your behalf. However, We may employ other companies or individuals to perform functions on Our behalf, such as sending postal mail, email, and text messages, conducting sweepstakes/contests, prize fulfillment and promotional activities, analyzing data, providing marketing assistance, processing credit card payments and providing customer service. These outside suppliers, agents and vendors have access to your personal information only as needed to perform their functions.
Third Parties with Links from Our Website. From our website, you may be able to click on links to third party sites to buy tickets and merchandise and for other purposes. These third party sites may collect information, including personal information. We are not responsible for, nor do we have access to the information they collect. The collection of this information is governed by the privacy policies on the applicable third party sites.
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When necessary. We may also release personal information when we believe, in good faith, that such release is reasonably necessary to protect the rights, property or safety of Ourselves, Our clients, Our users, or others. We may disclose personal information about you to law enforcement, other government officials, or other third parties, as We, in our sole discretion, believe necessary or appropriate, in connection with an investigation of fraud, intellectual property infringement, or other activity that is illegal or may expose Us to legal liability.
Public Forums
Please be aware that when you disclose PII through the comment feature or message board on the Site, the information may become public and accessible to all or a part of the Site community, so it is important for you to exercise discretion and appropriate caution when deciding to reveal PII in these areas. In addition, when you choose to make a posting, certain PII may be available for other users to view. We urge you to exercise discretion and caution when deciding to disclose your PII, or any other information, on the Site. WE ARE NOT RESPONSIBLE FOR THE USE OF ANY PII YOU VOLUNTARILY DISCLOSE THROUGH THE SITE VIA THESE FORUMS AND OTHER INTERACTIVE FEATURES. Please note that We reserve the right, but have no obligation, to republish content posted (including any PII contained therein) as further set forth in Our Terms of Use.
Co-Branded Pages
We may enter into relationships with “powered by” partners, business partners, sponsors, and co-branded sites (referred to here as “co-branded pages”). These might include, for example, pages that share our name and that of another entity. There may be a specific privacy policy on any such co-branded page. Any personal information that you provide when signing up at any co-branded page may be collected by, or shared with, our third party partner. We have no control over, and are not responsible for, our third party partners’ use of your personal information. If you want to learn more about other entities’ privacy practices, please review the websites of those third parties.
Transactions With Third Party E-commerce Partners, Vendors and Advertisers
When you provide personal information to one of Our Site’s third party e-commerce partners, vendors or advertisers (i.e. Ticketmaster.com, Telecharge.com), this transaction will occur in connection with the site of the e-commerce partner, vendor or advertiser, not on the Site, and, as such, the personal information you provide is collected pursuant to and controlled by the privacy policy of such e-commerce partner, vendor or advertiser. Broadway Direct is not responsible for such parties’ privacy policies and We encourage you to familiarize yourself with the applicable privacy policy of the e-commerce site with which you transact business or to contact the operator of such site for more information.
Delivery of Advertising and Other Content
In addition to ads and content that We may serve you directly, We use third-party advertising companies and marketing services companies to serve ads and other content when you visit Broadway Direct and elsewhere on the internet and in other media. Both We and these companies may use information about your visits to Broadway Direct and elsewhere to serve ads and other content to you. In the course of doing so, a unique third-party cookie may be placed or recognized on your browser by such companies. In addition, We and these companies may use Web beacons to help manage Our online advertising and content. These Web beacons enable Us and the third-party companies to recognize a browser’s cookie when a browser visits this Site and to learn which banner ads bring users to our website and to serve you ads that you may find of interest elsewhere on the internet and in other media. Both Broadway Direct and these companies may use information obtained from your visits to Broadway Direct or other websites, and information received from you offline in order to provide advertisements about goods and services and other content of interest to you across the internet and in other media. If you would like more information about this practice and to know your choices about not having this information used in this manner by Our third party advertising companies, please visit http://www.networkadvertising.org/optout_nonppii.asp and/or www.aboutads.info/choices. European users may opt out of receiving targeted advertising by visiting http://www.youronlinechoices.eu/. In addition, we may provide PII and Anonymous Information to marketing services companies. This may include information we received from you offline or online. These companies may combine information we provide (including PII and Anonymous Information) with personal and anonymous information they may have about you, using cookies they place or that We place on their behalf, as described in the section regarding “Cookies and Tracking Tags”. We require these companies to delete the PII we provide them. These companies may use the resulting non-personal information and such cookies for their own marketing purposes, and they may provide the same to their customers for their customer’s marketing purposes. Some of Our emails may contain tags that allow Us and Our advertisers and other partners to determine the types of content that may be of interest to you. Those tags may contain PII and may be shared with others to the same extent indicated in the section regarding “Cookies and Tracking Tags”. Those tags may not be deleted but you can opt out of receiving the emails.
Use of This Site by Children
The Site is not directed to individuals under the age of thirteen (13), and We request that such individuals do not provide personal information through the Site. If a parent or guardian becomes aware that his or her child has provided Us with PII without the parent or guardian’s consent by, for example, misrepresenting his or her age, that parent or guardian should contact us at [email protected]. If Broadway Direct determines that it has collected personal information of children under the age of 13, Broadway Direct will immediately delete such information and any accounts believed to be held by children under 13. In addition, we may not collect or process information from a citizen of an EU member state under the age of sixteen (16) without such person’s parental consent. If you are a citizen of an EU member state under the age of 16, please tell your parents that you are using the Site and have your parents email Us at [email protected] so that We may delete any information We may have collected about you.
California Visitors
California Civil Code § 1798.83 permits California residents to request information about whether we have disclosed personal information to any third parties for the third parties’ direct marketing purposes. California residents have the right to request in writing: (a) a list of the categories of Personal Information, such as name, email address and mailing address and the type of services provided to the customer that a business has disclosed to third parties (including affiliates that are separate legal entities) during the immediately preceding calendar year for the third parties’ direct marketing purposes and (b) the names and addresses of all such third parties. To make a request, please contact Us at the following email address: [email protected].
EU Visitors
If you are located within the European Union, you should be aware that your personal information will be transferred to the United States, the laws of which may be deemed by the European Union to have inadequate data protection. If you are located in a country outside the United States and voluntarily submit personal information to Us, you thereby consent to the general use of such information as provided in this privacy policy and to the transfer of that information to, and/or storage of that information in, the United States. We transfer Personal Information from the European Economic Area and Switzerland to the USA and other countries, some of which have not been determined by the European Commission to have an adequate level of data protection. Personal Information of EU residents will be transferred in compliance with the requirements of the General Data Protection Regulation (“GDPR”).
Rights of EU Data Subjects
If you are a resident of the European Union, under the GDPR, European Union residents, as data subjects, have the following rights:
Right to access – This right allows individuals to obtain confirmation as to whether or not personal information concerning him or her is being processed and provide access to such personal information. It also allows individuals to request details of the processing of his or her personal information, including, without limitation, categories of recipients to whom the personal information have been or will be disclosed and purposes of processing.
Right to rectify – This right allows individuals to rectify any inaccurate personal information about him or her.
Right to restrict processing – This right allows individuals to block or suppress processing of personal data under certain circumstances.
Right to be forgotten – This right is also known as the “right to erasure”. It is an individual’s right to have personal data erased or to prevent processing in specific circumstances.
Right of data portability – This right allows individuals to move, copy or transfer personal data from one place to another in a secure manner without interrupting the integrity and usability of the information.
Right to object to processing – This right allows individuals to object to certain types of processing, including direct marketing, profiling and providing for purposes of scientific or historical research and statistics.
An EU resident has the right to access his or her personal data that We hold and to ask that their personal data be corrected or erased and to port their data. An EU resident may also have the right to object to, or request that We restrict certain processing or to withdraw consent previously provided. If you would like to exercise your rights under the GDPR, please contact us at [email protected]. If you are an EU resident and have a concern about our processing of your personal data that we are not able to resolve, you have the right to lodge a complaint with the Data Protection Authority where you reside. For contact details of your relevant local Data Protection Authority, please see http://ec.europa.eu/newsroom/article29/item-detail.cfm?item_id=612080
Security of Your Personal Information
Broadway Direct employs reasonable security measures consistent with standard industry practice, for personal information collected through this Site, including physical, electronic and operational measures to maintain security and prevent unauthorized access. While Broadway Direct takes all appropriate steps to safeguard personal information under Our control, unfortunately, no data transmission over the Internet or method of storing data can be guaranteed to be 100% secure. As such, We cannot guarantee that personal information supplied by users will not be accessed on Our servers, or intercepted while being transmitted to Us over the Internet. We assume no liability for any damages you may suffer as a result of interception, alteration or misuse of information during such transfers.
Retention
We will retain your information for as long as your account or inquiry is active and for a reasonable time thereafter in accordance with Our standard procedures or as necessary to comply with Our legal obligations, to resolve disputes, and to enforce Our agreements. Even if We delete some or all of your Personal Information, We may continue to retain and use aggregate or anonymous data previously collected and/or anonymize or aggregate your Personal Information. Please note that We will not be liable for disclosures of your data due to errors or unauthorized acts of third parties.
Choice/Opt Out
This Site provides users the opportunity to opt-out of receiving communications from Us, at any time, by email at [email protected], or by clicking the unsubscribe link in any email communication. The Site gives users the following options for removing their information from our database, to not receive future communications or to no longer receive our service, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715.
Users can opt-out of receiving future newsletter emails from Us by selecting the “unsubscribe” link at the bottom of our email. However, We are not responsible for removing your information from the lists of any third party who has previously been provided with your information or is collecting your information through their cookies. You have the right to withdraw your consent for Our processing for your personal information by contacting us at [email protected].
Correct/Update
This website gives users the following options for changing and modifying information previously provided, at any time.
Users can send mail to the following postal address: Broadway Direct 1501 Broadway 14th floor New York, NY 10036
Users can call the following telephone number: (800) 223-6715
Successors
In the event that We are, or any component of our operations is, merged with, or is acquired by, another entity, then any such successor or acquiring entity may become the successor to Our obligations with respect to the personal information that you have provided to Us, which would be necessary for the entity to effectively continue our business. By using this website, you consent to any transfer and use of such personal information by an entity assuming control of Our operations as a result of a merger, purchase of assets, or liquidation in bankruptcy or insolvency.
Contact Us
If you have any questions about this Privacy Policy, the practices of this website, or your dealings with this website, you can send an email to [email protected]. Our data protection officer can also be contacted at [email protected].